So, do you have to build your characters?

Or if you’re tossing and turning at night asking yourself other questions like: What makes a good character? Are my characters fleshed out enough? Are my characters brave and stunning? Are they relatable? Enter your solution, character models!
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My Thoughts on Fanfiction

Since I’ve easily spent more of my time as a writer writing fanfic than original work, I’m not gonna shit on it and call it cringe.. bc the real cringe is adults bullying teenage girls for having interests. That being said, there is room for nuance and criticism around how fanfic and fandom spaces affect authors and the literary scene. These critiques are angled at other hybrid authors of both types who may be thinking of doing more original work.
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Why You Should Use a Character Interview

Character interviews are a very open, flexible way of building a character. It helps develop their psychology, voice, their memories, and even material to be used in your book all at once! However, many interviews I have seen left me disappointed since they either explored superficial details (”What’s your favorite ice cream flavor?”) or asked way too open questions (”What was the happiest day of your life?”). I made my own and my interview’s been a great help in building my characters.
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Creative Works That Aren't Novels

Writing seems a lot more straightforward when you begin, or even think about beginning. When the going gets rough, a lot of frustration can build up. You can be looking for novel writing advice, courses, the whole nine yards bc your favorite project is getting NOWHERE and it is such a pain. But you may be trying to fit a square in a round hole.
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Writing Stakes

Stakes and tension are intertwined and the backbone of conflict. Stakes are what is at threat in a story if action isn't taken to avoid them. Tension is a writer's ability to lead up to and dramatize important moments. Tension, in essence, comes from the presence of stakes, which need to be believable to the reader. And most storytelling modern day Westerners like myself are familiar with is told from the perspective of a defined individual. Knowing that, here are some general categories I came up with:
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Singular Relationships

This is a character developing concept I came up with for Oracle Bone. I think it would be particularly good for character-based narratives, especially ones where the different POV characters don't know each other beforehand. The basic concept of a singular relationship is to have characters have at least one unique person they have a relationship with. It is an opportunity to learn about their backstory and the different ways they socialize.
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Compelling Character Flaws

Allow your characters to be fuckups. Total assholes, even. Flawed characters with redeeming qualities are more interesting and likeable than characters who are one-note good. Characters being likeable (morally agreeable, someone I could hang out with) is separate from them being likeable as in interesting to read about and understand (endearing).
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Worldbuilding Questions: Combat Cultures

Are you making a culture, a particularly violent or militaristic one? Awesome. Here's a list of questions to develop their strengths, weaknesses, and culture. I wanted to define 'combat-oriented culture' somewhat loosely, so it will apply to as many cases as possible. But to clarify, I mean a culture where combat is a crucial part of the culture.
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Applying Craft Advice

So, you want to improve as an author. Unfortunately, art has no objective value and therefore, there is no One True Path to Good Work. But I run this blog for a reason so I won't stop there! There might not be one certain path, but the one of self understanding.
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